THE TRANSFORMATION FROM THE MONOPRINT ART TO THE GRAPHIC DESIGN IN VIET NAM IN THE ERA OF INTERNATIONAL INTEGRATION

Authors

  • Nguyen Quang Huy Faculty of Graphic Design, The Viet Nam National University of Arts Education

Keywords:

Graphics, Monoprints, Training, Composition

Abstract

In the early years of the 21st century, with the advantages of global cultural exchange and acculturation, Viet Nam’s monoprint arts has undergone major changes, tending to expand in scope and scale of art themes and size with the unique print materials. Along with the training of monoprint, graphic design training services have also become a contemporary aesthetic trend, which brought about a positive signal and inspiration for the Vietnamese Art. Through exercises and creative works of open graphics observed in national and international exhibitions, camps and workshops, the application of monoprints in graphic design training has proven to be model of new artistic language. In this context, the applied graphic arts is widely recognized as fresh changes in artistic training and composition in general, particularly the graphic design subject in Viet Nam’s art universities and colleges.

References

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Additional Files

Published

15-05-2023

How to Cite

Nguyen Quang Huy. (2023). THE TRANSFORMATION FROM THE MONOPRINT ART TO THE GRAPHIC DESIGN IN VIET NAM IN THE ERA OF INTERNATIONAL INTEGRATION. International Education and Research Journal (IERJ), 9(5). Retrieved from https://ierj.in/journal/index.php/ierj/article/view/2725