SUBTERFUGES OF PATRIARCHY AND THE SURVIVALS: A STUDY OF FLOATING OPERA AND THE CRYING OF LOT OF 49
Keywords:
Zeitgeist, patriarchy, animalistic, domination, conjugal, sex, mediaAbstract
It ought to be stressed that Barth and Pynchon are technical virtuosi. They are bestowed with the talent to employ the literary tools and devices with functional valuations and variations. Furthermore, the Weltanschauung of Barth and Pynchon is deeply colored but not totally obtruded by the stresses and strains Sturmund-Drang the tensions and anxieties Angst experienced by men and women. Barth and Pynchon capture as it were the very pulse of the present world, which has witnessed two Global Wars, the Wall Street Crash, the Great depression, the anomie and the great accent placed on materialism.
References
Barth, John .The Floating Opera. New York: Doubleday & Co, 1967
Pynchon, Thomas. The Crying of Lot 49: 1966. London: Vintage, 1996.
Berube, Michale. Marginal Forces and Cultural Centers: Tolson, Pynchon, and the Politics of Canon. Ithaca: Cornell University Press.
Bowen, Zack. 1994. A Reader's Guide To John Barth. Westport: Greenwood Press.
Hite, Molly. Ideas of Order in the Novels of Thomas Pynchon. Columbus: Ohio State University Press, 1983.
Newman, Robert D. Understanding Thomas Pynchon. Columbia: University of South Carolina Press, 1986.
Madsen, Deborah L. The Postmodernist Allegories of Thomas Pynchon. London: Leicester University Press, 1991.
Quilligan, Maureen. “Thomas Pynchon and the Language of Allegory.” Critical Essays on Thomas Pynchon. Ed. Richard Pearce. Boston: G. K. Hall, 1981. 187-212. R.Garvin. Lewisburg, PA: Bucknell University Press, 1980. 181 - 93.
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