THE VALUE OF THE FOUR SEASONS' MOTIF IN THE ART OF NGUYEN DYNASTY, APPLICATION IN RECENT TRAINING AND HERITAGE CONSERVATION IN VIETNAM

Authors

  • Nguyen Vu Lan MA, University Of Fine Arts, Hue University
  • Tran Thi Hoai Diem PhD, University of Fine Arts, Hue University
  • Do Xuan Phu PhD, University of Fine Arts, Hue University
  • Nguyen Vu Khanh My MA, University of Economics, Hue University

Keywords:

Art under the time of Nguyen Dynasty, four seasons' motif, training, preservation, heritage

Abstract

Art under the time of Nguyen Dynasty (1802 - 1945) had gone through a long history and formed typical artistic values of royal architecture in the land of Thua Thien Hue province – Vietnam, demonstrating distinctive and unique aesthetic values in terms of history, culture and art. The study of art under the time of Nguyen Dynasty in general and the decorative art using four seasons' motif in particular are those of the issues that need to be paid attention to in the conservation of cultural heritage. This is also the basis and the foundation for effective learning, teaching and creative activities at current Vietnamese Universities of Art.

References

I. Phan Thuan An, Phan Thuan An, Complex of Hue Monuments, Youth Publishing House. P.18

II. Tran Lam Bien (1979), “Hue, Nguyen Dynasty Fine Arts, the Attributes”, Art Studies, (3), pp.36-50.

III. Nguyen Huu Thong (1992), Fine Arts of the Nguyen Dynasty in Hue, Writers' Association Publishing House, Hanoi.

IV. Nakagawa Takeshi (2001), Positive trends of conservation in Hue, Time has proven, published by Hue Monuments Conservation Center, pp.89-90.

Additional Files

Published

15-05-2022

How to Cite

Nguyen Vu Lan, Tran Thi Hoai Diem, Do Xuan Phu, & Nguyen Vu Khanh My. (2022). THE VALUE OF THE FOUR SEASONS’ MOTIF IN THE ART OF NGUYEN DYNASTY, APPLICATION IN RECENT TRAINING AND HERITAGE CONSERVATION IN VIETNAM. International Education and Research Journal (IERJ), 8(5). Retrieved from http://ierj.in/journal/index.php/ierj/article/view/2451